Kathmandu Doc Lab 2025

The first Kathmandu Doc Lab, 24 to 28 May 2025: nine documentary projects, three South Asian mentors, four awards, a live pitch in Kathmandu and an online pitch to twenty international industry representatives.

First edition24 to 28 May 20259 projects · 69 applications

Kathmandu Doc Lab 2025

The first Kathmandu Doc Lab took place from 24 to 28 May 2025. Nine selected projects came to Kathmandu for a four-day lab of workshops, masterclasses and mentoring with three South Asian mentors, followed by a live pitch on 28 May and, on 10 June, an online pitch to twenty industry representatives from around the world.

The 2025 cohort, mentors and team
The 2025 cohort
A filmmaker rehearses her pitch at the 2025 Lab
Two filmmakers in conversation at the 2025 Lab
The 2025 live pitch at QFX Cinemas, Kathmandu
Live Pitch, 28 May

The 2025 cohort

Nine projects

Still from A Weaver Bird's Nest

A Weaver Bird’s Nest

Alvina Joshi, Rahul Rabha · India

When his village is marked for demolition, an unemployed artist must protect both his ancestral home and his family, or lose the very connections that define who he is.

Nepal Film Development Board Best Pitch Award

Still from An Eventual Calamity of Time

An Eventual Calamity of Time

Omkar Khandagale · India

Realizing all that is left of his great-grandfather are the tools of his caste trade – a pair of scissors, a comb and a mirror, a filmmaker sets out for his hometown hoping to make sense of his family and their inheritance.

KIMFF Foundation Best Pitch Award

Still from Echoes Underneath

Echoes Underneath

Sumair Shamsi · Pakistan

Riaz Masih, a Christian sanitation worker in Lahore, dreams of a better life for his children. But as he confronts caste stigma, religious discrimination, and daily danger in the sewers, he must choose between quiet survival and risking everything to break the cycle for the next generation.

Still from Gard

Gard

Mahera Omar · Pakistan

A fisherwoman collects firewood from Karachi’s mangrove forests. A melancholy dog sits on a sea wall, just being. In the skies, a toxic haze hovers, shortening lifespans.

Nepal Film Initiative Best Pitch Award

Still from Mannu Mon

Mannu Mon

Gia Singh Arora · India

In Mumbai, Suruj, a non-binary drag queen from Assam, mothers a chosen queer family. As drag fades, and her father’s voice returns, she questions if kinship alone can anchor belonging.

Still from Sroter Gaan

Sroter Gaan

Ahsabul Yamin · Bangladesh

A young mother who gave birth during a deadly flood dreams of a safer future for her child, but in a place where land disappears underwater every year, moving forward means leaving behind everything she’s ever known.

Still from The Last Yak Herder

The Last Yak Herder

Sonam Yangzom · Bhutan

In the remote highlands of Bhutan, a teenage girl is torn between the allure of modern life and her grandmother’s desperate plea to preserve their dying tradition of yak herding.

Still from Traces of Her

Traces of Her

Bunu Dhungana · Nepal

Gaura Prasai attempts to reconnect with her friend Sita to revisit their 1971 armed rebellion against landlords in eastern Nepal and fight the political erasure of women’s participation.

Documentary Association of Pakistan Best Pitch Award

Still from Where It Rains

Where It Rains

Nuruzzaman Khan · Bangladesh / Lithuania

A Bangladeshi man confronts the challenges of identity, fatherhood, and bureaucracy in Lithuania, a country ranked happiest for youth yet haunted by one of Europe’s highest suicide rates, through the reflections of Lithuanian friends and family.

Awards

Four awards after the live pitch

USD 2,000Nepal Film Development Board Best Pitch Award: A Weaver Bird’s Nest by Alvina Joshi and Rahul Rabha
USD 1,000KIMFF Foundation Best Pitch Award: An Eventual Calamity of Time by Omkar Khandagale
USD 500Nepal Film Initiative Best Pitch Award: Gard by Mahera Omar
NPR 50,000Documentary Association of Pakistan Best Pitch Award: Traces of Her by Bunu Dhungana

Selection committee: Reena Mohan, Kesang Tseten, Ramyata Limbu, Sunir Pandey and Alok Adhikari.

The audience applauds at the 2025 live pitch

After the Lab

Where the 2025 projects went next

Echoes Underneath: Industry Award, Edinburgh Pitch

An Eventual Calamity of Time: IDFA Bertha Fund

Mannu Mon: Docs Producing South

A Weaver Bird’s Nest: Green Stories

Traces of Her: Docedge Kolkata

Mentors

Three South Asian filmmakers in the room all week

Portrait of Anam Abbas

Anam Abbas

Pakistan

Anam Abbas is an award-winning filmmaker, director of “This Stained Dawn” (Sheffield, Yamagata, 2021) and producer behind “Showgirls of Pakistan” (IDFA, 2020) and “In Flames” (Cannes, TIFF, Busan, Sitges). Anam has served on the selection jury for Berlinale Talents Doc Station and Sheffield Meet Market. She is a founding member of the Documentary Association of Pakistan, programming the Chalta Phirta Film Festival, and runs intensive Doc Labs in Pakistan.

Portrait of Arun Bhattarai

Arun Bhattarai

Bhutan

Arun Bhattarai is a Bhutanese documentary filmmaker known for acclaimed works like “Agent of Happiness”, “The Next Guardian” and “Mountain Man”. His latest, “Agent of Happiness”, debuted at The Sundance Film Festival, where it was a grand jury prize nominee. His films have been awarded at major festivals and theatrically released around the world. Bhattarai specializes in intimate, culturally nuanced storytelling. His films have been supported by Sundance, Catapult and IDFA Bertha Fund.

Portrait of Rintu Thomas

Rintu Thomas

India

Rintu Thomas is an Academy Award-nominated, Peabody-winning Indian filmmaker whose body of work sits at the intersection of storytelling as an art and a dialogue. Her double Sundance-winning ‘Writing With Fire’ (2021) is India’s first Oscar-nominated feature documentary. Rintu is a recipient of the IDA Courage Under Fire Award, the President’s Medal in India and a co-founder of Black Ticket Films. Her critically acclaimed work is centered on creating powerful, socially engaged documentaries that amplify underrepresented voices.

“Kathmandu Doc Lab is not just a lab; it’s a launchpad.”
Rintu Thomas, mentor

Online Pitch, 10 June 2025

Twenty industry representatives

Every project pitched online to funders, broadcasters and producers from Europe, North America and Asia, followed by more than 35 one-on-one meetings.

A filmmaker pitches at the kimff podium during the 2025 live pitch
Alexandre Marionneau
ARTE, France
Alice Burgin
Visions du Réel, Switzerland
Anas Abdel Wahab
Al Jazeera, Qatar
Anna Berthollet
Lightdox, France/Switzerland
Bettina Kolb
DW Documentaries, Germany
Brandon Harrison
Words+Pictures, USA
Christilla Huillard-Kann
Elda Productions, France
Christine Delsol
Kolam Productions, France
Hugo Jinseok Kang
DMZ Docs, South Korea
Jane Mote
The Whickers, UK
Kristin Feeley
Sundance Institute, USA
Lianne Llewellyn
IEFTA, Monaco
Mark Meatto
Words+Pictures, USA
Miriam Garcia
Catapult Film Fund, USA
Olga Prud’homme Farges
Kolam Productions, France
Saam Darius
IEFTA, Monaco
Sarah Kang
Seesaw Pictures, South Korea
Selin Murat
IDFA Bertha Fund, Netherlands
Tomoko Okutsu
NHK World Documentaries, Japan
Will Tamura
Chicken & Egg Films, USA
Catapult Film Fund
IDFA Bertha Fund
Visions du Réel
Lightdox
DW
Sundance Institute
NHK
DMZ Docs Industry
Al Jazeera Documentary
Words+Pictures
Chicken & Egg Films
IEFTA
Seesaw Pictures
arte
The Whickers

Also: Elda Productions and Kolam Productions.


Supported by

Kathmandu Doc Lab 2025 was supported by the Swiss Agency for Development and Cooperation (SDC) through the kimff Foundation.

Swiss Agency for Development and Cooperation SDC